Monday, December 31, 2007

Relationships in a Paragraph

A wonderful challenge.  Reminds me of Felix Feneon's Novels in Three Lines.  My contributions follow:
  1. We played tennis on a warm, dry afternoon. I missed every volley I returned. She gracefully conceded defeat and left with a wry smile.
  2. She polished her blood-red boots with particular care. She didn't polish much else. Sometimes there really is nothing to say. But she said it so eloquently.
  3. A drowsy turtle is a dilemma. To tap or not to tap? I did a bit of both. The turtle eventually arrived, but the hare was long gone.
  4. The stars perform in the windshield and demand the same in return.  Our absent-minded kisses soon became inadequate. But she was a far more diligent performer than I.
  5. At the time, I never wondered why she laughed. She smiled when I touched her, over and over. She smiled when she drew the line. And she smiled when I brought her roses. She knew they were wilted, even if I didn't.
  6. Many are born administrators. Only a few realize it. She knew how to do things properly and gave careful instructions. There's no use pretending you can train the untrainable.
  7. Wild-eyed, I followed her home. So ripe, so wrong. An open secret: the hypnotized always act on their desires.
  8. She watched me laughingly in class, and I performed for her. I loved her best when she was gone, and I suspect she agreed. Exasperated, she dropped me once and then again. There won't be a third time.
  9. As a writer, she found the film academic. As a writer, she found the article dull. As a writer, she didn't much care for him. As a writer, I was done writing.
  10. Elegantly, she brushed out her hair. Daintily, she picked though her salad. Discreetly, she signaled her boredom. Quietly, I walked away.
Suggested by The Sheila Variations via From the Archives.

The Godfather of Avant-Garde Cinema

In September 2007, Senses of Cinema published my interview with Jonas Mekas, Me, I Just Film My Life.  This interview was a follow-up to another, also published by Senses of Cinema.  Yeah, I know the introductions are similar.  I had to write it really fast.  Anyway, I think the second is better, and that's what counts, right?

The avant-garde is about sex. Like it or not.

On October 17, 2007, the Stranger ran my review of Other Cinema DVD's release Xperimental Eros.  It's really a good disc.  I'm an especially big fan of Naomi Uman's Removed.

Is that a movie in your pocket?

Time to catch up with some old reviews, as I'm finally back in NYC.  On May 23, 2007, the Stranger ran Hey, Full Series Pass!, a column I wrote on the occasion of the Seattle International Film Festival, recommending websites presenting unusual internet videos.  Don't worry, it's pretty tame.